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Dear deer

On Body and Soul, Dir. Ildikó Enyedi│Ildikó Enyedi’s On Body and Soul’s almost pensive dramatic explorations of the relationships between the bodily and the ethereal begin in a particularly unusual and captivating manner. Instead of being greeted to human characters, we are met by two deer, caught in a kind of intimate tranquillity in a… Read more »

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How I fell in love

Ana, mon amour, dir. Călin Peter Netzer│ Having already fallen in love with Ana, mon amour at Berlinale this year, I was saddened to find that it was beginning to experience a bit of backlash in its native country by the time it reached The Romanian Days section of the 16th Transilvanian Film Festival. Some… Read more »

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Wuthering Heights

God’s Own Country, dir. Francis Lee│The title of Francis Lee’s God’s Own Country refers to a phrase of endearment used by people in Yorkshire to describe their own deeply idiosyncratic part of the world – something the director slowly dissects at length. Himself a Yorkshireman, Lee has taken the support of Creative England’s low-budget first… Read more »

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Big Girls Don’t Cry

The Beguiled, dir. Sofia Coppola│With The Beguiled, Sofia Coppola chose a story well suited to her interest in female desire and the insensitivity of men. When a little girl finds Irish Corporal John McBurney (Colin Farrell) in dire straits in some luxurious South Virginia woods and takes him to her half-empty all-female seminary, the wounded… Read more »

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Just kidding

Redoubtable, dir. Michel Hazanavicius│That the great French New Wave director Jean-Luc Godard hasn’t always been a very kind man isn’t news to anyone. His rebelliousness is in fact the very reason why he was such an important and controversial figure at a time when French –and European- cinema was in a state of limbo in… Read more »

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Words don’t come easy

Bright Sunshine In, dir. Claire Denis│When it was announced that Claire Denis’s next film was going to be a comedy, a mixture of excitement and uncertainty was felt among critics. The French director is mostly known for her sensual and often very dark cinema, and while humour does appear throughout her oeuvre, it isn’t really… Read more »

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Hunting the dream

Ismael’s Ghosts, dir. Arnaud Desplechin│ The ethereal quality of Arnaud Desplechin’s films makes it often quite difficult to write about them, and his 2017 Cannes Film Festival opener Ismael’s Ghosts isn’t an exception. Yet this elusiveness, together with a sense of often overwhelming ambition, make this particular film possibly the best picture we have of… Read more »

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Absolute Despair

Filthy, dir. Tereza Nvotová│Bursting straight out of Prague’s prestigious FAMU film school, director Tereza Nvotová brings her final project as a student to Vilnius Film Festival’s “New Europe – New Voices” strand. Her daring first fiction feature homes in on the apocalyptic experiences of a young Slovakian teenager who is sexually assaulted in her family… Read more »

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Manifestujemy co tydzień

Occidental, dir. Neïl Beloufa│ „Politycy potrzebują przybyszów z zewnątrz, żeby nie zajmować się poważniejszymi problemami. I tak przecież nie umieją im zaradzić” – mówi Neïl Beloufa, autor „Occidental” pokazywanego na festiwalu filmowym w Berlinie. Francuski reżyser odwołał się w nim do mechanizmów stereotypu, reakcji na obcego i uprzedzeń, które pozwalają ludziom wyciągać broń szybciej niż… Read more »